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Taaza
Megh
19th century 20th century 1930s 1940s 1950s 1960s Actor Ancient India Art Cinema Colonial Costume Culture Early 20th Century fashion India Indian Cinema Indian Dress Indian fashion Indian men Indian Women Paintings Sari Sari Blouse Vintage Vintage Blouse Vintage Dress vintage fashion vintage sari WomenVishay
Lokpriya
Category Archives: Literature
Lit Post – 3
Kamala was simply dressed in a pink silk sari, fastened on the right shoulder with the diamond coronet which Tara had lately given her. The thick soft tresses of her long jet-black hair were wreathed with white roses, and she … Continue reading
Posted in 1910s, 1940s, Authors, British Raj, Chinese, Colonial, Early 20th Century, fashion, History, India, Indian Authors, Indian Dress, Indian fashion, Indian Literature, Indian men, Literature, Men, Photography, Studio Portraits, Vintage Books, Vintage Dress, vintage fashion, Vintage Men
Tagged 1900s, 1900s sari, Chungking, Chungking Diaries, DF Karaka, Hindupore, I Go West, safa, sari, Savile Row, SM Mitra
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Lit Post – 2
अब मेरी बेटी का मामला है मेरी कोख में जन्म लेने वाली मैत्रेयी का। मैं इसको उस खड्ड में नहीं गिरने दूंगी, जिसमें गिरकर औरत जीवन-भर निकलने को छटपटाती रहती है और एक दिन खत्म हो जाती है। Now it … Continue reading
Posted in 1940s, 20th century, Accessories, Central India, Culture, Indian Authors, Indian Bride, Indian Dress, Indian Literature, Indian Women, Literature, Novels, regional styles, Sari, Sari Blouse, Television, Vintage Blouse, Vintage Books, Vintage Bride, vintage costume, vintage fashion, vintage sari
Tagged bride, hindi literature, Indian literature, Kasturi Kundal Base, Maitreyi Pushpa, plam leaf crown, sari, Uttar Pradesh
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The Islamic Dress Post
When you think of Muslim influenced fashion in India you think of anarkalis, gauzy dupattas, tight churidars, a North Indian style that has a tremendous grip on the popular imagination not least because of Hindi movies. While the Mughals with … Continue reading
Posted in 1900s, 1920s, 1940s, 19th century, 20th century, Accessories, Art, churidar kameez, Colonial, Costume, Culture, Deccan, Dress Reform, dupatta, Early 20th Century, Family, fashion, Girls, India, indian art, Indian Dress, Indian fashion, Indian Women, Islamic Dress, Islamic style, Literature, Mughal, Paintings, Photography, Postcards, regional styles, Religion, retro, retro fashion, Salwar Kameez, Sari, Sari Blouse, South India, Vintage, vintage art, vintage costume, Vintage Dress, vintage fashion, vintage photography, vintage sari, Women
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The Bindi Post
The tikli or spangle is worn in the Hindustāni Districts and not in the south. It consists of a small piece of lac over which is smeared vermilion, while above it a piece of mica or thin glass is fixed … Continue reading
Posted in 1910s, Accessories, bindi, Central India, Colonial, Culture, Early 20th Century, fashion, Hinduism, historical fashions, Indian fashion, Indian Women, Literature, regional styles, Rural, Vintage, vintage fashion, vintage style, Women
Tagged 1910s, 1916, bindi, Central India, lakheras, making bindis, stick on bindis, tikli, tribes and castes of the central provinces of india
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2015
Everyone should read Banalata Sen, whether in the original Bengali or translated. As I mentioned the sari history posts were very time and energy consuming this year. I might revisit some of the earlier decades as the information on them … Continue reading
Posted in 1930s, Bengal, Early 20th Century, Indian Literature, Literature, Personal, Poetry, Vintage, Women
Tagged 2015, Banalata Sen, Bengal, Jibanananda Das, new year, poetry, sari, sari history
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Plucky Girl
Sanskrit poetry is so often full of lovelorn ladies unable to bear separation from the hero (Virahotkanthita Nayika). And this recurs often in those Radha-Krishna paintings. And of course Hindi cinema is full of “viraha” songs. But none of that … Continue reading
Posted in 7th century, 8th century, Ancient India, Feminism, Girls, Indian Women, Literature, Love, Poetry, Romance, Sanskrit, Women
Tagged amaru, amaru shataka, love, poetry, Sanskrit, Sanskrit Poetry, separation, women
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The Spring Post
पुष्पिताग्रांश्च पश्येमान्कर्णिकारान्समन्ततः। हाटकप्रतिसंचन्नान्नरान्पीताम्बरानिव॥ And look at these flower-tipped karnikāras everywhere – they look like men robed in yellow and laden with golden jewellery. [X] Spring (Vasanta) in India is generally in the months of Phalguna and Chaitra (roughly March and … Continue reading
Posted in Art, Contemporary, Culture, Flowers, Hinduism, History, Indian Dress, Indian men, Late 19th century, Literature, Paintings, Sanskrit Drama
Tagged amaltas, garments, radha krishna, Sanskrit Poetry, spring, vasanta, vogue india, yellow
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Conrad Rooks’ Siddhartha
Under black hair, which made to tower high on her head, he saw a very fair, very delicate, very smart face, a brightly red mouth, like a freshly cracked fig, eyebrows which were well tended and painted in a high … Continue reading
Posted in Ancient India, Buddhism, Indian Cinema, Literature, Movies, Period Drama, Sari Blouse
Tagged 1970s, ancient india, cinema, Conrad Rooks, Hermann Hesse, sari blouse, Siddhartha, Simi Garewal
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The Book Cover Post
Apart from the movie based on Maitreyi/La Nuit Bengali, the book covers also leave much to be desired featuring as they often do a generic exotic Indian woman barely indicative of the decade in which Maitreyi takes place. The first … Continue reading
Posted in 1930s, India, Literature, Romance
Tagged Bengal Nights, book cover, La Nuit Bengali, Maitreyi, Mircea Eliade, romance
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The Book Extract Post
Posted in Authors, India, Literature, Sari Blouse, Vintage
Tagged It Does Not Die, La Nuit Bengali, literature, Maitreyi, Maitreyi Devi, Mircea Eliade, Na Hanyate
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