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Taaza
Megh
19th century 20th century 1930s 1940s 1950s 1960s Actor Ancient India Art Cinema Colonial Costume Culture Early 20th Century fashion India Indian Cinema Indian Dress Indian fashion Indian men Indian Women Paintings Sari Sari Blouse Vintage Vintage Blouse Vintage Dress vintage fashion vintage sari WomenVishay
Lokpriya
Category Archives: Culture
Seasons Greetings
The annual post on Christmas themed art from India. First up the Margam Kali from Kerala. The dance is not Christmas specific though many schools do seem to hold competitions including the dance around December. The costume is the traditional … Continue reading
Posted in 20th century, Art, Christianity, clothing, Costume, costumes in art, Culture, Dance, indian art, Indian Costume, Indian Women, Kerala, Sari, South India, vintage art, Women
Tagged blue madonna, Christianity, frank wesley, Kerala, margam kali
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1980s Indian wear for men
Though Indian attire has not been common for men, especially the middle and upper classes, post Independence, it is pretty much de rigeur for male politicians. Usually this is varying permutations and combinations of the kurta/achkan/jacket/dhoti with regional variants (e.g. … Continue reading
Posted in 1980s, 20th century, clothing, Culture, fashion, Indian Dress, Indian History, Indian men, indian style, late 20th century, Photography, Politicians, Politics, shawls, Vintage Dress
Tagged 1980s, 1980s india, 1980s style, angavastram, bandhgala, indian style, kurta paijama, male politician, Politicians, rajiv gandhi, shawl
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Indian Summer
I have been away from wordpress for so so long. Travel meant I couldn’t sit down and write a long post. So a collation of several posts on the Indian summer that I did on tumblr. First up the most … Continue reading
Posted in 18th century, 1930s, 1940s, 20th century, Ancient India, Art, contemporary fashion, costumes in art, Culture, fashion, Flora, Flowers, Flowers in Literature, India, Indian Aesthetics, indian art, Indian Costume, Indian Flora and Fauna, Indian Literature, Indian Women, miniature paintings, Paintings, Seasons, Women, women in art
Tagged aditi raychoudhry, anbu jawahar, bougainvillea, deepak kilewala, Dot, g sankara kurup, Hemen Majumdar, Indian Flora, jackfruit, jamun, jasmine, kharakapas, kumaril swamy, Kumki, laxmi chhaya, mango tree, miniature painting, parama g, rohini, salabhanjika, summer, tilfi, vilas chormale
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Folk Jewellery of Pakistan
Folk jewellery of Pakistan, 1973 PIA Calendar. The link for the last postcard is unavailable but from the bandhani dupatta and mirrorwork suggests Sindh. For pics 1 to 3, the captions are as follows: 1. The punjangla has a ring for … Continue reading
Posted in 1970s, 2017 posts, Culture, fashion, Folk, Jewellery, late 20th century, Pakistan, Tribal, Vintage, vintage jewellery, vintage style
Tagged 1970s, airline collectables, airline postcards, Folk, folk jewellery, ghulbali, kalash, kapas, PIA, pia calendar, powindah, punjangla
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Brief Notes from Japan
サリーの女 (Maiden in a sari), 1983. From the Museum publication on the artist Akino Fuku (秋野不矩)). While in Japan I made a visit to the Akino Fuku Museum in Hamamatsu, Japan. While my favourite work of hers was not on … Continue reading
Posted in 1980s, 2017 posts, Art, Asia, clothing, Costume, costumes in art, Culture, East Asia, fashion, India, Indian Costume, Indian Women, Japan, Japanese art, Japanese Costume, Paintings, Personal, Vintage, vintage art, Women
Tagged 1980s, akino fuku, akino fuku museum, furisode, hamamatsu, india, indian costume, Japan, Japanese Costume, kimono, kyoto, nishijin, nishijin textile centre, sarees in art, sari
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Goddess
During this month the spirits of the ancestors descend on earth to be propitiated. It is the time to worship the nine Durgas for prosperity in this life and future salvation. The kings and their pandits set out to visit … Continue reading
Posted in 17th century, 18th century, 2017 posts, Art, Costume, costumes in art, Culture, Deccan, Goddess, historical costume, India, Indian Aesthetics, indian art, Indian Costume, indian festivals, Indian Literature, Indian Textiles, Indian Women, Literature, Sari, sari drape, South India
Tagged durga, dusshera, goddess, indian festival, lakshmi, navaratri, Saraswati, tindian art, wall painting
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Karachi and Bombay, 30s/40s
The six yard sari must have been extremely on trend in the 30s and 40s (and of course it was also the peak years of the freedom struggle which might have added to it) since it cuts across communities and … Continue reading
Posted in 1930s, 1940s, 2017 posts, 20th century, Culture, fashion, Indian fashion, Indian Jews, Indian Women, mid century, Pakistan, Photography, Sari, Sari Blouse, sari drape, Studio Portraits, subcontinent, Vintage, Vintage Blouse, vintage photography, vintage sari
Tagged 1940s, Bombay, Indian Jews, jewish women, Karachi, late 30s, sari, sari drape, sari style, subcontinental style
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The clean ease and civility of Tagore
Meanwhile the days are heating up after the spell of winter; the sun is getting hot, even as a cool breeze is blowing through the boat window and caressing my back. Today there is no special concession for winter or … Continue reading
Posted in 1880s, 19th century, Bengal, Bengali, Colonial, Costume, Culture, Early 20th Century, Hair, Indian Aesthetics, Indian Authors, Indian Costume, Indian Dress, Indian men, indian style, Islamic style, Late 19th century, Vintage, vintage costume, Vintage Dress, Vintage Men, vintage style
Tagged Bengal, chapkan, headgear, Indian Authors, kurta paijama, Rabindranath Tagore, robe, sartorial style
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The Anklets post.
Sandal-Anklet [X, X, X and X] There are a number of Indian terms for anklets (nupura, payal, golusu, painjan) – anklets are often diffrentiated on the basis of bells, strings, solid coils etc. But I can’t find one for the … Continue reading
Posted in 20th century, Accessories, Culture, fashion, Indian Aesthetics, Indian fashion, indian style, Indian Women, Jewellery, Postcards, Vintage, vintage jewellery
Tagged anklets, feet, foot jewellery, indian style, payals, sandals
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The Contemporary Bindi
The sticker bindi revolution was probably the last major shift in bindi style. And they are still around though you are more likely to find women wearing the “neutral” red/maroon/black round bindis on an everyday basis. And often no bindi … Continue reading