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Taaza
Megh
19th century 20th century 1930s 1940s 1950s 1960s Actor Ancient India Art Cinema Colonial Costume Culture Early 20th Century fashion India Indian Cinema Indian Dress Indian fashion Indian men Indian Women Paintings Sari Sari Blouse Vintage Vintage Blouse Vintage Dress vintage fashion vintage sari WomenVishay
Lokpriya
Category Archives: 20th century
Deepavali Special
Manoranjan*, in its Diwali Special issue, published a separate section ‘Striyance Lekh’ (Articles of women writers). The enthusiastic editor Kashinath Raghunath Mitra, is responsible for the creation of a whole generation of women short-story writers [X]. Almost everyone must be … Continue reading
Posted in 1910s, 1960s, 1990s, 20th century, ananda vikatan, Bengali, Culture, Early 20th Century, Hindi, Hinduism, Illustration, Indian Aesthetics, indian art, indian festivals, Indian Women, late 20th century, Magazine, Maharashtra, retro, Tamil, Vintage Magazine
Tagged 1910s, 1960s, 1990s, Ananda Vikatan, Arunachal, bengali magazine, deepavali, dharamyug, diwali, hindi magazine, Indian illustrators, indian magazines, loksatta, marathi magazine, tamil magazine, vintage magazines
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दन्या चीनाखान की दक्ष महिताओं के नृत्यगीत अल्पना की तो ख्याति सुनी ही थी, उस दिन देख भी लिया. केवल अँगुली के नैपुन्य से चित्रांकित हर रेखा का ये गजब का संतुलन था और कैसी अचूक सीध! शांतिनिकेतन में नंदलाल बोस की पुत्री गौरीभंज … Continue reading
Posted in 1920s, 20th century, Decorative Arts, hindi literature, Indian Literature, Indian Women, Literature, My Translations, Vintage Books, vintage photography, vintage style, Women, women writers
Tagged 20th century literature, do sakhiyan, excerpt, hindi literature, literature, shivani, two friends, women writers
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The Mantilla Post
In the pics: The late 19th/early 20 century practice of wearing a mantilla with the sari. Often made of lace. Probably a result of the popularity of the mantilla in nineteenth century Europe and more or less confined to Bengal. … Continue reading
Posted in 1880s, 1910s, 19th century, 20th century, Accessories, Bengal, Colonial, Dress Reform, Early 19th century, fashion, Indian Aesthetics, Indian Costume, Indian Women, Photography, Royalty, Sari, sari history, Studio Portraits, Vintage, vintage costume, vintage photography, vintage sari, vintage style
Tagged Bengali, Indian royals, Indian Women, mantilla, sari accessories, sari scarf, Suniti Devi
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The Brooch Post
I had an anon query on tumblr awhile back on how sari pins were worn so I thought I would do a quick post on how brooches were worn in the 1930s and 1940s. Pins and brooches were around earlier … Continue reading
Posted in 1910s, 1930s, 1940s, 20th century, Accessories, Early 20th Century, fashion, Indian fashion, Indian Women, Jewellery, retro fashion, vintage fashion, vintage jewellery, vintage style
Tagged 1930s, 1930s jewels, 1940s, brooch, indian retro style, indian style, retro, sari brooch, sari pin, vintage, vintage accessories, vintage jewellery
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Autumn Festival
Thanks to RL long time since I did any significant update except for a few pieces now and then on tumblr. Before I start again just a few pics for autumn/Dusshera. It was autumn, not a doubt of it. Ere … Continue reading
Posted in 1940s, 1950s, 20th century, Art, costumes in art, Culture, Dancer, Early 20th Century, Flowers, Flowers in Literature, Goddess, Hinduism, Indian Aesthetics, indian art, Indian Costume, indian festivals, Indian Flora, Indian Women, Paintings, Sari, Sari Blouse, Vintage, vintage art
Tagged apta leaves, ashwin, autumn, dusshera, festival, Indian Art, kaash phool, kali, kh ara, manisha, marigold, mumbai, navaratri, prankrishna pal, Saraswati, vintage art
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प्रेमचंद के फटे जूते/Premchand’s Torn Shoes
Source: Flickr. Most folk would have seen the Google Doodle of 31 July 2016 in honour of Premchand’s birth anniversary. My translation of Harishankar Parsai‘s essay Premchand ke Fate Joote (Premchand’s torn shoes) below. Original Hindi version from which I … Continue reading
Posted in 1930s, 20th century, Authors, Early 20th Century, hindi literature, India, Indian Authors, Indian Dress, Indian Literature, Indian men, Literature, My Translations, Photography, Vintage Men
Tagged harishankar parsai, hindi literature, Indian Authors, premchand, Premchand ke fate joote, Premchand's torn shoes, satire, shoes, torn shoes
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On Colour
The most common colors on the market are the kind you cannot name, the not quite blues, not quite grays and the not quite yellows that are used only for background and referred to as neutral colors, camouflage, “civilized colors,” … Continue reading
Posted in 1750s, 18th century, 1930s, 1940s, 20th century, 21st century, Actor, colour, Contemporary Style, Costume, Courtesan, Culture, fashion, Fashion Quote, Folk, Indian Aesthetics, Indian Costume, Indian Dress, Indian fashion, Indian Textiles, Indian Women, natural dye, Prints, Sari, Sari Blouse, Vintage
Tagged colour, eileen chang, Indian Aesthetics, indian colour, kamaladevi chattopadhyay, melancholy courtesan, paoli dam, sardar akhtar, sari, sari blouse
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Art and Fashion
I came across Uma Damle’s interpretation of Hemen Majumdar paintings the other day. Her site also has her take on Raja Ravi Varma’s works. That got me into doing a few posts of spot the artwork in today’s fashion and … Continue reading
Posted in 1920s, 1930s, 1940s, 1950s, 19th century, 20th century, Art, art recreation, Bengal, bindi, contemporary fashion, Contemporary Style, costumes in art, Culture, Early 20th Century, fashion, indian art, Indian Dress, Indian fashion, Indian Textiles, Indian Women, Late 19th century, Paintings, Sari, Sari Blouse, Sets, vintage art, Vintage Blouse, vintage costume, vintage fashion, vintage sari, women in art
Tagged Aishwarya Rai, art recreation, Bengal art, elizabeth brunner, ganesh pyne, Hemendranath Mazumdar, Indian Art, jamini roy, leela chitnis, osianama, princess, qohindia, Raja Ravi Varma, Raw Mango, saris in art, uma Damle, vintage sari
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The costumes of Dadar Kirti (1980)
Dadar Kirti (1980) is based on a Sharadindu Bandyopadhyay story and is a highly fun, easy watch with a charming ensemble cast doing it justice. While it is not subtitled, a rudimentary knowledge of Bengali is enough to enjoy the movie. The movie … Continue reading
Posted in 1980s, 20th century, Accessories, Actor, Bengal, Bengali cinema, bindi, Cinema, Costume, Costumes in Cinema, Dancer, Early 20th Century, film costumes, Film Costuming, Girls, Indian Cinema, Indian Costume, Indian Dress, Indian fashion, Indian Textiles, Indian Women, Manipur, Movies, Period Drama, Regional cinema, Regional period drama, regional styles, Sari, Sari Blouse, shawls, Vintage
Tagged 1980s cinema, Ayan Bannerjee, Bengal Sari, Bengali cinema, Bihari sari, Dadar Kirti, Debashree Roy, film costumes, indian cinema, Mahua Roychowdhury, Period Drama, regional styles, Sandhya Roy, sari, sari blouse, Sulata Chowdhury, Tapas Paul
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The costumes of Devdas (1936)
Devdas may well be summarised by these three screen captures:) Saratchandra was 17 when he wrote Devdas, it is likely the author himself thought the novel an immature work in later age. Despite it being a “youth novel” and despite the … Continue reading
Posted in 1910s, 1930s, 20th century, Accessories, Actor, Bengal, Bengali cinema, Cinema, Colonial, Costume, costume design, Courtesan, Culture, Dancer, Early 20th Century, fashion, film costumes, Film Costuming, Hairstyles, Indian Cinema, Indian Costume, Indian fashion, Indian men, Indian Women, regional styles, Romance, Sari, Sari Blouse, sari history, Vintage, vintage costume
Tagged 1930s, 1930s fashion, 1930s styles, 1936, Bengali cinema, costume design, devdas, indian cinema, Jamuna, KL Saigal, Rajkumari, sari, vintage sari
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Vintage Indian Clothing 