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Taaza
Megh
19th century 20th century 1930s 1940s 1950s 1960s Actor Ancient India Art Cinema Colonial Costume Culture Early 20th Century fashion India Indian Cinema Indian Dress Indian fashion Indian men Indian Women Paintings Sari Sari Blouse Vintage Vintage Blouse Vintage Dress vintage fashion vintage sari WomenVishay
Lokpriya
Author Archives: Anu M
East+West
There are plenty of examples of clothes from the West that make use of Indian textiles, at least from the Regency period onwards. Examples include muslin, paisley shawls, 1950s dresses and cotton gauze dresses of the 70s and 80s. There … Continue reading
Posted in 19th century, 20th century, 21st century, Colonial, Contemporary, contemporary fashion, Costume, Early 20th Century, fashion, India, Indian Aesthetics, Indian Costume, Indian Dress, Indian fashion, Indian Women, Late 19th century, late 20th century, salwar, Sari, Sari Blouse, sari drape, Sari Dress, sari history, Vintage, Vintage Dress, vintage fashion, vintage sari, Women
Tagged 19th century, 20th century, balenciaga, chanel, contemporary, dhoti sari, Edwardian, indo western, Lakshmi Bayi, nikhil thampi, obi, oscar de la renta, petticoat, poiret, prajnasundari devi, regency, sari, sari dress, sari gown, satya paul, schiaparelli, tights, valentino, Victorian, Vintage Fashion, vintage sari
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Sankranti Wishes
The wintry season that abounds with sweet rice and sugarcane and mounds of dark palm-sugar dainties; When Love waxes proud and love’s sport is at fever-pitch; when the anguish is intense of parted lovers; May this season be to you … Continue reading
Posted in Culture, Folk Dance, Hinduism, Indian Aesthetics, indian festivals, Indian Illustrators, Indian Women, Literature, miniature paintings, Paintings, Postcards, Religion, Sanskrit Literature, Tamil
Tagged indian festivals, Kalidasa, late winter, lohri, loom of time, magh bihu, makar sankranti, pongal, pooja yadav, uttarayana
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Internet Sleuthing – Mary Bhor
Mary Bhor (1865?-1913) Daughter of Rao Saheb Ramji Gangaji Bhor and a second generation Christian, she took advantage of her English education and fairly liberal background provided by her parents. She had obtained a teacher’s training certificate from London and … Continue reading
Posted in 1900s, Christianity, Colonial, Costume, Early 20th Century, Feminism, Indian Costume, Indian Women, Maharashtra, regional styles, Sari, Sari Blouse, Victorian, vintage costume, vintage sari, women writers, Working Women
Tagged 1899, 1900s, book quotes, early feminism, indian christians, indian feminism, Maharashtra, marie bhor, mary bhor, padma anagol
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Parasakthi style in brief
Besides, love between siblings, particularly between the elder brother and younger sister, has become a specific marker of Tamil culture, mainly due to the impact of canonical Tamil films like En Thangai (My Sister, dir. M.K.R. Nambiar and Ch. Narayanamurthy, … Continue reading
Posted in 1950s, Actor, Cinema, costume design, film costumes, Film Costuming, Girls, Indian Cinema, Indian fashion, Indian Women, mid century, Movies, Regional cinema, regional styles, retro cinema, retro fashion, South Indian Cinema, Tamil, Tamil Cinema, vintage cinema, vintage costume
Tagged 1950s, 1950s style, actress, cinema costumes, davani, Half saree, kamala laxman, pandari bai, Parasakthi, sriranjani, subbulakshmi, Tamil Cinema, tamil style
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Mohan Rakesh
Taking the support of history or historical personalities does not make literature history. History compiles and catalogues facts in a time bound manner. This has never been the purpose of literature. To compensate for the vacant chambers of history is … Continue reading
Posted in 1920s, Ancient India, Authors, Buddhism, hindi literature, History, Indian Authors, Indian Literature, Indian men, Literature, My Translations
Tagged hindi to english, history, Indian Authors, indian plays, indian playwright, lehron ke rajhans, literature, mohan rakesh, translation
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The 80s cinema post
Trikon ka Chautha Kon aka The Fourth Angle of a Triangle (1986) is kind of quasi arthouse 80s cinema and more than a little regressive when it comes to it’s women protagonists who dominate much of the film. The film … Continue reading
Posted in 1980s, 20th century, Actor, bindi, Bollywood, Children, churidar kameez, churidar kurta, Cinema, Costumes in Cinema, dupatta, fashion, Feminism, film costumes, Film Costuming, Hair, Hairstyles, Indian Aesthetics, Indian Cinema, Indian Costume, Indian Dress, Indian fashion, Indian men, Indian Textiles, Indian Women, late 20th century, Movies, retro cinema, retro fashion, Salwar Kameez, Sari, Sari Blouse, sari history, Vintage Blouse, vintage cinema, vintage fashion, vintage sari
Tagged 1980s, 1980s cinema, 1980s style, Bollywood, Hindi cinema, indian cinema, priyardarshinee, swaroop sampat, trikon ka chautha kon, vijayendra ghatge, vintage cinema, vintage style
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Merry Christmas!
Via wheaton.edu.
Posted in Art, Children, Christianity, Colonial, Indian Women, Paintings, Religious Art, Women, women in art
Tagged Christmas, jesus, john the baptist, mary, Religious Art, vintage art
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Rabindranath Tagore/Epic Channel
A young girl’s sari: Rabindranath Tagore’s Atithi (Epic Channel)
Posted in Actor, Bengal, Costume, costume design, Early 20th Century, Girls, Indian Aesthetics, Indian Dress, Indian Music, Indian Tales, Indian Women, Literature, Love, Novels, Period Drama, regional styles, Sari, Sari Blouse, sari drape
Tagged adaptation, atithi, epic channel, indian television, Period Drama, Rabindranath Tagore, Television
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The costumes of Bazaar (1982)
80s arthouse aesthetic in Bazaar (1982). The movie deals with the poorer Muslim communities of Hyderabad and the financial compulsions that lay behind many an unequal and unwanted marriage contract. Some parts of the costuming reflect the milieu. With Shabnam … Continue reading
Posted in 1980s, 20th century, Actor, churidar kameez, churidar kurta, Cinema, Costumes in Cinema, film costumes, Film Costuming, Flowers, Hair, Hairstyles, Indian Aesthetics, Indian Cinema, Indian Costume, Indian Women, Islamic style, late 20th century, retro cinema, retro fashion, retro hair, Salwar Kameez, South India, Vintage, vintage cinema, vintage costume, vintage style
Tagged alternative cinema, arthouse, bazaar, farooque shaikh, Hindi cinema, indian cinema, neesha singh, rita rani kaul, sagar sarhadi, Smita Patil, Supriya Pathak
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RIP Jayalalithaa
Jayalalithaa – 24 February 1948 – 5 December 2016
Posted in 1960s, 1970s, 1980s, 1990s, 2000s, 20th century, Actor, Cinema, fashion, Feminism, Indian Cinema, Indian fashion, Indian Women, late 20th century, Politicians, Politics, retro cinema, retro fashion, Sari, Sari Blouse, South India, South Indian Cinema, Tamil Cinema, Tamil Nadu, vintage fashion, Women, Women Rulers
Tagged chief minister, jayalalithaa, Tamil Nadu, tamil nadu politics, women chief ministers, women politicians
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