Extract from Marriage and Modernity, Family Values in Colonial Bengal (Rochona Majumdar) indicating that the anchal was eventually draped on the left for the Brahmika saree.
This gallery contains 4 photos.
The blouses in the 40s – apart from the ubiquitous choli – reflect wartime fashions in the West and have touches like scalloped neck lines, trims, collars and the like. Though most omit the strong shoulders. Nargis – whose … Continue reading
Dance forms in the early 20th century in the west often incorporated oriental elements, be it a tawdry interpretation or a more serious minded approach. There are probably many ways to look at Ruth St. Denis’ body of work that … Continue reading
Jnanadanandini Debi was deeply influenced by the newly-introduced Parsi gara, the kind worn by Lady Bachoobai Nowroji Vakil. By the latter part of the 19th century, Parsi garas or garos—saris with Chinese embroidery in white or variegated silk threads—were introduced … Continue reading
Continuing the cycle theme, this was probably a college student on her daily commute. On a “ladies” cycle with a very low central bar. Her attire suggests pre-Independence Bengal – probably the teens/20s. They did have a lot of blouse … Continue reading
A Bombay Scorcher. Is that the bicycle or the bicycle?! This was of course a saucy postcard as opposed to being taken on the streets of Bombay while this barefoot lass was going about her day’s business. Her smile is … Continue reading
Vivan Sundaram, Retake of Amrita – Sisters, 2001 Amrita Sher-gil’s parallels with Frida Kahlo are oft commented on – self portraits, the incorporation of indigenous elements, the bisexuality, the early death, even the odd photograph with a lady moustache. … Continue reading
This gallery contains 1 photo.
This gallery contains 1 photo.
This gallery contains 2 photos.
Vintage Indian Clothing 