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Taaza
Megh
19th century 20th century 1930s 1940s 1950s 1960s Actor Ancient India Art Cinema Colonial Costume Culture Early 20th Century fashion India Indian Cinema Indian Dress Indian fashion Indian men Indian Women Paintings Sari Sari Blouse Vintage Vintage Blouse Vintage Dress vintage fashion vintage sari WomenVishay
Lokpriya
Category Archives: Ancient India
Costume Books
I have been reading a couple of books on Indian costumes and thought I would write a bit about two of them. Queen Subada, Detail from Shahnamah, Sultanate School, 1450. Costume Details: Phiran: of transparent material, form-fitting and ankle length, … Continue reading
Posted in 1990s, 20th century, Accessories, Actor, Ancient India, antique, Art, Asia, Authors, Costume, Courtesan, Culture, Dancer, fashion, Hinduism, historical costume, historical dress, historical fashions, historical hairstyles, Illustration, indian art, Indian Dress, Indian History, Indian Illustrators, Indian Theatre, Indian Women, Jaina Literature, Jewellery, Medieval India, Sanskrit Drama, sari history, Theatre, Women
Tagged 1540s, ancient india, Central Asia, historical costume, indian costume, medieval India, Queen Subada, Roshen Alkazi, Sanskrit, Shahnamah, Sultanata School, Tarla Mehta, Uttararamacharitram, Vasantasena, Vikramorvasiyam
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The Colour of Skin
The red glow of her body, like an unfolding bud. Her black rimmed eyes like flowers, her skin like gold. Who can see your face in the moonlight, like milk in milk. Her lustrous complexion like a blue sapphire. Fair … Continue reading
Posted in 17th century, 18th century, 19th century, 20th century, Ancient India, Art, Colonial, Contemporary, Culture, Early 20th Century, fashion, Girls, historical art, historical fashions, in Colour, indian art, Indian fashion, Indian Women, miniature paintings, Paintings, Sets, Shringaar, vintage art, vintage fashion, vintage illustrations, vintage style
Tagged 1660s, 1860, 1880s, 18th century, 1930s, 1937, B Prabha, blue skin, colour, colourism, English school, fair and lovely, historical art, Indian Women, jaipur courtesan, malwa, Mandi, nandlal bose, red skin, sanskrit literature, skin, todi ragini, vintage art
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All About Hair
I had a bit of a meandering look at the history of hairstyles in India on tumblr and as always this post collates it on wordpress. curnakuntala (Sanskrit): locks or ringlets hair style. alaka-avali (Sanskrit): hair arrangement in spiral locks … Continue reading
Posted in 1600s, 16th Century, 1700s, 17th century, 1800s, 18th century, 1930s, 1940s, 1950s, 1960s, 19th century, 20th century, Accessories, Ancient India, Art, Asia, Bengal, Bollywood, Colonial, Contemporary Style, Culture, Dance, Dancer, fashion, Flowers, Hair, historical fashions, historical hairstyles, History, indian art, Indian fashion, Indian History, Indian men, Indian Women, Jewellery, Medieval India, miniature paintings, Old Bollywood, Paintings, regional styles, retro, retro hair, Sanskrit Literature, Sculpture, Sets, Tamil, Tumblr, Vintage, vintage hair, vintage jewellery
Tagged Bollywood hairstyles, combing hair, curly hair, early 20th century, flowers in the hair, hair, hair accessories, hair jewellery, hair oil, indian hair, Indian hairstyles, indian sculpture, indian style, Indo Greek, loose hair, medieval India, Miniature Paintings, parted hair, plait, retro hairstyles, vintage hairstyles, wavy hair, wet hair
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The Buddhism Post
I had done this set of posts starting on Buddha Purnima on tumblr but it’s taken me till now to collate it on WP. In some ways posts are more coherent on WP so despite the delay here it is. … Continue reading
Posted in 1880s, 1900s, 1940s, 1990s, Ancient India, Art, art recreation, Asia, Buddhism, Colonial, Costume, Culture, Early 20th Century, East Asia, historical art, historical costume, historical dress, History, Illustration, India, indian art, Indian Dress, Indian History, Indian men, Indian Women, Japan, Late 19th century, Paintings, Philosophy, Religion, Sanskrit Literature, Sari, Sri Lanka, Women
Tagged 1880s, 1940s, 1990s, 4 May, Ajanta, Ajanta art, Bellanwila, Bhikkuni, Bombay School of Art, Buddha, Buddha Purnima, Buddhism, Dhammadinna Bhikuni, Manindra Bhushan Gupta, Mara, Mara's daughters, Nihonga, Rahula, Sattasai, Soma, Somabandhu Vidyapati, Sujata, the departure of buddha, Women in Buddhism, Yashodhara, Yokoyama Taikan
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The Love Post
MADANA, a name of Kama, the hindu god of love. In the hindu religion, festivals are held on the 13th and 14th of the month Cheyth*, in honour of Kama, the god of love. Madana, he who intoxicates, with desire, … Continue reading
Posted in 1610s, 18th century, Ancient India, Contemporary, early 18th century, indian art, indian festivals, Indian men, Indian Women, miniature paintings, Romance
Tagged ancient india, Bhaskar Chitrakar, Indian Art, kamadeva, love, love in Ancient India, love in India, madan dev, maltimadhava, miniature painting, mrchhkatika, radha krishna, sanskrit literature, Vibhasa Ragini, yavana rani
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The Food Post
The iconography of Annapurna is given in the Agamas as a youthful goddess of red complexion having a face round like moon, three eyes, high breasts; the left hand carrying a vessel set with rubies and containing honey, and the … Continue reading
Posted in 16th Century, 17th century, 18th century, 1910s, 1940s, 1950s, 1960s, 19th century, Ancient India, British Raj, Colonial, historical art, historical costume, indian art, Indian Cooking, Indian Literature, Indian men, Indian Women, Medieval India, Mughal India, Paintings, Sanskrit Literature
Tagged 15th century, 17th century, 19th century, 7th century, ancient india, Annapoorna, bawarchi, British India, Chokher Bali, Dandin, Dasakumaracharitra, early 20th century, Food History, historical dress, Indian Art, Indian cookbooks, Indian Cookery, Indian cuisine, Indian Food, khansama, Malathi Chander, Mandu, medieval India, Mughal India, Mukul Dey, Ni'matnama, NS Harsha, picnic, Radha, Rahul Das, Rasachandrika, Savitri Chowdhury, Sushil Sen, vaishnava food, Veeraswamy, Vividh Vani, yogini
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वसन्त ऋतु – Spring
It’s spring in India. And while the illustration above* is all mildness and white (and indeed the kunda finds mention in a lot of Sanskrit spring poetry) the flowers of spring that are emblematic of the season are quite red … Continue reading
Posted in Ancient India, Art, Asia, Contemporary, Costume, Culture, Flora, Flowers, historical art, historical costume, historical dress, historical fashions, History, Illustration, indian art, Indian Dress, Indian History, Indian Illustrators, miniature paintings, Paintings, Poetry, Sanskrit, Sculpture, South India, Vintage, vintage art, Vintage Blouse
Tagged ancient india, art, asoka flowers, asoka tree, chandra rajan, flowers, illustration, ingalls, jasmine, Kalidasa, kimsuka, kunda, miniature painting, palash, Sanskrit, Sanskrit Poetry, sculpture, spring, spring flowers, spring ritual, Tamil
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On Indian Clothing
The people of Pataliputra* dressed well in flowered muslins embroidered with jewels, and an umbrella was carried by an attendant behind the head of a noble when he went into the road. Kleitarchus, however, found that in other, poorer parts … Continue reading
Posted in 21st century, 3rd century BCE, Ancient India, Asia, Contemporary, Contemporary Style, Costume, Culture, fashion, gems, Girls, historical costume, historical dress, historical fashions, History, India, Indian Dress, Indian fashion, Indian History, Indian men, Indian Textiles, Indian Women, Sari, Sari Blouse, sari drape, sari history, Vintage, vintage costume, vintage style, Women
Tagged 21st century, 3rd century BCE, bling, contemporary, fashion history, Indian fashion, jewelled sari, Maurya, modern, my thoughts on fashion, personal, sari, sari blouse, sari history, traditional
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Plucky Girl
Sanskrit poetry is so often full of lovelorn ladies unable to bear separation from the hero (Virahotkanthita Nayika). And this recurs often in those Radha-Krishna paintings. And of course Hindi cinema is full of “viraha” songs. But none of that … Continue reading
Posted in 7th century, 8th century, Ancient India, Feminism, Girls, Indian Women, Literature, Love, Poetry, Romance, Sanskrit, Women
Tagged amaru, amaru shataka, love, poetry, Sanskrit, Sanskrit Poetry, separation, women
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