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Taaza
Megh
19th century 20th century 1930s 1940s 1950s 1960s Actor Ancient India Art Cinema Colonial Costume Culture Early 20th Century fashion India Indian Cinema Indian Dress Indian fashion Indian men Indian Women Paintings Sari Sari Blouse Vintage Vintage Blouse Vintage Dress vintage fashion vintage sari WomenVishay
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Category Archives: Indian Aesthetics
Sankranti Wishes
The wintry season that abounds with sweet rice and sugarcane and mounds of dark palm-sugar dainties; When Love waxes proud and love’s sport is at fever-pitch; when the anguish is intense of parted lovers; May this season be to you … Continue reading
Posted in Culture, Folk Dance, Hinduism, Indian Aesthetics, indian festivals, Indian Illustrators, Indian Women, Literature, miniature paintings, Paintings, Postcards, Religion, Sanskrit Literature, Tamil
Tagged indian festivals, Kalidasa, late winter, lohri, loom of time, magh bihu, makar sankranti, pongal, pooja yadav, uttarayana
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The 80s cinema post
Trikon ka Chautha Kon aka The Fourth Angle of a Triangle (1986) is kind of quasi arthouse 80s cinema and more than a little regressive when it comes to it’s women protagonists who dominate much of the film. The film … Continue reading
Posted in 1980s, 20th century, Actor, bindi, Bollywood, Children, churidar kameez, churidar kurta, Cinema, Costumes in Cinema, dupatta, fashion, Feminism, film costumes, Film Costuming, Hair, Hairstyles, Indian Aesthetics, Indian Cinema, Indian Costume, Indian Dress, Indian fashion, Indian men, Indian Textiles, Indian Women, late 20th century, Movies, retro cinema, retro fashion, Salwar Kameez, Sari, Sari Blouse, sari history, Vintage Blouse, vintage cinema, vintage fashion, vintage sari
Tagged 1980s, 1980s cinema, 1980s style, Bollywood, Hindi cinema, indian cinema, priyardarshinee, swaroop sampat, trikon ka chautha kon, vijayendra ghatge, vintage cinema, vintage style
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Rabindranath Tagore/Epic Channel
A young girl’s sari: Rabindranath Tagore’s Atithi (Epic Channel)
Posted in Actor, Bengal, Costume, costume design, Early 20th Century, Girls, Indian Aesthetics, Indian Dress, Indian Music, Indian Tales, Indian Women, Literature, Love, Novels, Period Drama, regional styles, Sari, Sari Blouse, sari drape
Tagged adaptation, atithi, epic channel, indian television, Period Drama, Rabindranath Tagore, Television
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The costumes of Bazaar (1982)
80s arthouse aesthetic in Bazaar (1982). The movie deals with the poorer Muslim communities of Hyderabad and the financial compulsions that lay behind many an unequal and unwanted marriage contract. Some parts of the costuming reflect the milieu. With Shabnam … Continue reading
Posted in 1980s, 20th century, Actor, churidar kameez, churidar kurta, Cinema, Costumes in Cinema, film costumes, Film Costuming, Flowers, Hair, Hairstyles, Indian Aesthetics, Indian Cinema, Indian Costume, Indian Women, Islamic style, late 20th century, retro cinema, retro fashion, retro hair, Salwar Kameez, South India, Vintage, vintage cinema, vintage costume, vintage style
Tagged alternative cinema, arthouse, bazaar, farooque shaikh, Hindi cinema, indian cinema, neesha singh, rita rani kaul, sagar sarhadi, Smita Patil, Supriya Pathak
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Deepavali Special
Manoranjan*, in its Diwali Special issue, published a separate section ‘Striyance Lekh’ (Articles of women writers). The enthusiastic editor Kashinath Raghunath Mitra, is responsible for the creation of a whole generation of women short-story writers [X]. Almost everyone must be … Continue reading
Posted in 1910s, 1960s, 1990s, 20th century, ananda vikatan, Bengali, Culture, Early 20th Century, Hindi, Hinduism, Illustration, Indian Aesthetics, indian art, indian festivals, Indian Women, late 20th century, Magazine, Maharashtra, retro, Tamil, Vintage Magazine
Tagged 1910s, 1960s, 1990s, Ananda Vikatan, Arunachal, bengali magazine, deepavali, dharamyug, diwali, hindi magazine, Indian illustrators, indian magazines, loksatta, marathi magazine, tamil magazine, vintage magazines
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The Mantilla Post
In the pics: The late 19th/early 20 century practice of wearing a mantilla with the sari. Often made of lace. Probably a result of the popularity of the mantilla in nineteenth century Europe and more or less confined to Bengal. … Continue reading
Posted in 1880s, 1910s, 19th century, 20th century, Accessories, Bengal, Colonial, Dress Reform, Early 19th century, fashion, Indian Aesthetics, Indian Costume, Indian Women, Photography, Royalty, Sari, sari history, Studio Portraits, Vintage, vintage costume, vintage photography, vintage sari, vintage style
Tagged Bengali, Indian royals, Indian Women, mantilla, sari accessories, sari scarf, Suniti Devi
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Autumn Festival
Thanks to RL long time since I did any significant update except for a few pieces now and then on tumblr. Before I start again just a few pics for autumn/Dusshera. It was autumn, not a doubt of it. Ere … Continue reading
Posted in 1940s, 1950s, 20th century, Art, costumes in art, Culture, Dancer, Early 20th Century, Flowers, Flowers in Literature, Goddess, Hinduism, Indian Aesthetics, indian art, Indian Costume, indian festivals, Indian Flora, Indian Women, Paintings, Sari, Sari Blouse, Vintage, vintage art
Tagged apta leaves, ashwin, autumn, dusshera, festival, Indian Art, kaash phool, kali, kh ara, manisha, marigold, mumbai, navaratri, prankrishna pal, Saraswati, vintage art
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Ashadh ka ek din
आषाढस्य प्रथमदिवसे मेघमाश्लिष्टसानुं वप्रक्रीडापरिणतगजप्रेक्षणीयं ददर्श॥१.२॥ Ashar has come, filling the southern sky with A cloud, frolicksome as an elephant About to charge, he seems to lower his tusks. (translation of lines from the Meghadoot from here). The month of Ashadh … Continue reading
Posted in 1950s, 4th century AD, Ancient India, costume design, Costumes in Cinema, Culture, film costumes, Film Costuming, Hairstyles, historical costume, historical dress, historical fashions, historical hairstyles, Indian Aesthetics, Indian Cinema, Indian Costume, Indian Literature, Indian men, Indian Theatre, Indian Women, Romance, Sanskrit Drama, Sanskrit Literature, sari drape, Theatre
Tagged 1950s play, 1970s cinema, arun khopkar, ashadh, Ashadh ka ek din, film costumes, indian costumes, Indian Theatre, Kalidasa, mani kaul, mohan rakesh, monsoon, rekha sabnis, theatre costumes
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Videshi/Swadeshi
Sumair [a relative] wanted to present me with a divine sari of pure gold that was her wedding present and she doesn’t want to wear for she claims to wear only French materials. Poor Indian women of queer tastes, they … Continue reading
Posted in 1930s, Art, costumes in art, Culture, Early 20th Century, Indian Aesthetics, indian art, Indian fashion, Indian Textiles, Indian Women, Paintings, retro, retro fashion, Sari, Sari Blouse, sari history, vintage art, Vintage Blouse, Vintage Dress, vintage fashion, vintage sari, women in art
Tagged 1930s, Amrita Shergil, french fabric, handlooms, Indian Art, Khurshid, madhuri, pink and green, pink and green sari, sari history, sumair, vintage sari
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Dream Girls and Boys
The iconic Tamil writer Kalki once described her as ‘Kollum Vizhiyaal’ — one who could kill with her eyes! [X] Thyagaraja also had a very good stage presence sporting long hair and earrings. [X] Around the time that video cassettes … Continue reading
Posted in 1930s, 1940s, Cinema, Early 20th Century, Family, film costumes, Indian Aesthetics, Indian Cinema, Indian men, Indian Women, Tamil Cinema, vintage cinema, Vintage Men, vintage style, Women
Tagged 1930s stars, 1940s stars, dream girl, men wearing earrings, mk thyagaraja bagvathar, mkt, singing stars, Tamil Cinema, tr rajakumari
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Vintage Indian Clothing 