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19th century 20th century 1930s 1940s 1950s 1960s Actor Ancient India Art Cinema Colonial Costume Culture Early 20th Century fashion India Indian Cinema Indian Dress Indian fashion Indian men Indian Women Paintings Sari Sari Blouse Vintage Vintage Blouse Vintage Dress vintage fashion vintage sari WomenVishay
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Category Archives: Film Costuming
Parasakthi style in brief
Besides, love between siblings, particularly between the elder brother and younger sister, has become a specific marker of Tamil culture, mainly due to the impact of canonical Tamil films like En Thangai (My Sister, dir. M.K.R. Nambiar and Ch. Narayanamurthy, … Continue reading
Posted in 1950s, Actor, Cinema, costume design, film costumes, Film Costuming, Girls, Indian Cinema, Indian fashion, Indian Women, mid century, Movies, Regional cinema, regional styles, retro cinema, retro fashion, South Indian Cinema, Tamil, Tamil Cinema, vintage cinema, vintage costume
Tagged 1950s, 1950s style, actress, cinema costumes, davani, Half saree, kamala laxman, pandari bai, Parasakthi, sriranjani, subbulakshmi, Tamil Cinema, tamil style
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The 80s cinema post
Trikon ka Chautha Kon aka The Fourth Angle of a Triangle (1986) is kind of quasi arthouse 80s cinema and more than a little regressive when it comes to it’s women protagonists who dominate much of the film. The film … Continue reading
Posted in 1980s, 20th century, Actor, bindi, Bollywood, Children, churidar kameez, churidar kurta, Cinema, Costumes in Cinema, dupatta, fashion, Feminism, film costumes, Film Costuming, Hair, Hairstyles, Indian Aesthetics, Indian Cinema, Indian Costume, Indian Dress, Indian fashion, Indian men, Indian Textiles, Indian Women, late 20th century, Movies, retro cinema, retro fashion, Salwar Kameez, Sari, Sari Blouse, sari history, Vintage Blouse, vintage cinema, vintage fashion, vintage sari
Tagged 1980s, 1980s cinema, 1980s style, Bollywood, Hindi cinema, indian cinema, priyardarshinee, swaroop sampat, trikon ka chautha kon, vijayendra ghatge, vintage cinema, vintage style
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The costumes of Bazaar (1982)
80s arthouse aesthetic in Bazaar (1982). The movie deals with the poorer Muslim communities of Hyderabad and the financial compulsions that lay behind many an unequal and unwanted marriage contract. Some parts of the costuming reflect the milieu. With Shabnam … Continue reading
Posted in 1980s, 20th century, Actor, churidar kameez, churidar kurta, Cinema, Costumes in Cinema, film costumes, Film Costuming, Flowers, Hair, Hairstyles, Indian Aesthetics, Indian Cinema, Indian Costume, Indian Women, Islamic style, late 20th century, retro cinema, retro fashion, retro hair, Salwar Kameez, South India, Vintage, vintage cinema, vintage costume, vintage style
Tagged alternative cinema, arthouse, bazaar, farooque shaikh, Hindi cinema, indian cinema, neesha singh, rita rani kaul, sagar sarhadi, Smita Patil, Supriya Pathak
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Ashadh ka ek din
आषाढस्य प्रथमदिवसे मेघमाश्लिष्टसानुं वप्रक्रीडापरिणतगजप्रेक्षणीयं ददर्श॥१.२॥ Ashar has come, filling the southern sky with A cloud, frolicksome as an elephant About to charge, he seems to lower his tusks. (translation of lines from the Meghadoot from here). The month of Ashadh … Continue reading
Posted in 1950s, 4th century AD, Ancient India, costume design, Costumes in Cinema, Culture, film costumes, Film Costuming, Hairstyles, historical costume, historical dress, historical fashions, historical hairstyles, Indian Aesthetics, Indian Cinema, Indian Costume, Indian Literature, Indian men, Indian Theatre, Indian Women, Romance, Sanskrit Drama, Sanskrit Literature, sari drape, Theatre
Tagged 1950s play, 1970s cinema, arun khopkar, ashadh, Ashadh ka ek din, film costumes, indian costumes, Indian Theatre, Kalidasa, mani kaul, mohan rakesh, monsoon, rekha sabnis, theatre costumes
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The costumes of Dadar Kirti (1980)
Dadar Kirti (1980) is based on a Sharadindu Bandyopadhyay story and is a highly fun, easy watch with a charming ensemble cast doing it justice. While it is not subtitled, a rudimentary knowledge of Bengali is enough to enjoy the movie. The movie … Continue reading
Posted in 1980s, 20th century, Accessories, Actor, Bengal, Bengali cinema, bindi, Cinema, Costume, Costumes in Cinema, Dancer, Early 20th Century, film costumes, Film Costuming, Girls, Indian Cinema, Indian Costume, Indian Dress, Indian fashion, Indian Textiles, Indian Women, Manipur, Movies, Period Drama, Regional cinema, Regional period drama, regional styles, Sari, Sari Blouse, shawls, Vintage
Tagged 1980s cinema, Ayan Bannerjee, Bengal Sari, Bengali cinema, Bihari sari, Dadar Kirti, Debashree Roy, film costumes, indian cinema, Mahua Roychowdhury, Period Drama, regional styles, Sandhya Roy, sari, sari blouse, Sulata Chowdhury, Tapas Paul
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The costumes of Devdas (1936)
Devdas may well be summarised by these three screen captures:) Saratchandra was 17 when he wrote Devdas, it is likely the author himself thought the novel an immature work in later age. Despite it being a “youth novel” and despite the … Continue reading
Posted in 1910s, 1930s, 20th century, Accessories, Actor, Bengal, Bengali cinema, Cinema, Colonial, Costume, costume design, Courtesan, Culture, Dancer, Early 20th Century, fashion, film costumes, Film Costuming, Hairstyles, Indian Cinema, Indian Costume, Indian fashion, Indian men, Indian Women, regional styles, Romance, Sari, Sari Blouse, sari history, Vintage, vintage costume
Tagged 1930s, 1930s fashion, 1930s styles, 1936, Bengali cinema, costume design, devdas, indian cinema, Jamuna, KL Saigal, Rajkumari, sari, vintage sari
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A short list of Indian period dramas
While doing posts on contemporary regional Indian period movies, I made a rough list of Indian period films. These are listed below. Some are historicals but the bulk fall into the 19th and 20th century. The list is fairly rough … Continue reading
Posted in Actor, Ancient India, Bengali cinema, Bollywood, British Raj, Colonial, Costume, fashion, Film Costuming, historical costume, History, Independence, Indian Cinema, Indian Costume, Indian fashion, Islamic Dress, Medieval India, Movies, Mughal India, Old Bollywood, Regional cinema, Regional period drama, regional styles, retro, Sari, Sari Blouse, South Indian Cinema, Vintage, vintage cinema, vintage fashion
Tagged ancient india, colonial India, contemporary India, historical films, india, indian cinema, medieval India, Mughal India, period costumes, Period Drama
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Mulgaokar’s art
Filmy costumes for mythological/historical figures in Raghuvir Mulgaokar’s 1953 paintings/calendar art. Pic 1: Mastani – this outfit aka a kameez that has a tight fitted bodice and skirt and the jhoomar for the hair is both particular to films and … Continue reading
Posted in 1950s, Art, Bollywood, churidar kameez, Costume, Courtesan, Culture, Dancer, Deccan, Film Costuming, ghaghra, historical costume, indian art, Indian Dress, Islamic style, Maharashtra, mid century, Paintings, Rajasthan, regional styles, Sari, vintage art, women in art
Tagged 1950s art, devayani, Indian Art, mastani, mid century art, Padmini, Raghuvir Mulgaokar, women in art
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The Regional Cinema Post
For very many reasons Bollywood is Indian cinema. Now and then regional cinema makes a splash – especially at the National Awards – but for the most part the audiences are local. You could however argue that all the interesting … Continue reading
Posted in 21st century, Accessories, Actor, Cinema, Contemporary, contemporary fashion, Contemporary Style, Culture, fashion, Film Costuming, Flowers, Indian Cinema, Indian Dress, Indian fashion, Indian Women, Jewellery, Manipur, Marathi cinema, North East, North East India, Period Drama, Punjab, regional styles, Sari, Sari Blouse, Sets, South Indian Cinema, Tamil Cinema, Women
Tagged Aribam Syam Sharma, flower jewellery, indian cinema, innaphi, Kumki, Lakshmi Menon, Leipaklei, Manipuri cinema, Marathi cinema, postcard, puff sleeve blouse, Punjab 1984, Punjabi cinema, Radhika Apte, salwar kameez, sari, Sonam Bajwa, Tamil Cinema, Tonthoi
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Vintage Indian Clothing 