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Taaza
Megh
19th century 20th century 1930s 1940s 1950s 1960s Actor Ancient India Art Cinema Colonial Costume Culture Early 20th Century fashion India Indian Cinema Indian Dress Indian fashion Indian men Indian Women Paintings Sari Sari Blouse Vintage Vintage Blouse Vintage Dress vintage fashion vintage sari WomenVishay
Lokpriya
Category Archives: Early 20th Century
All About the Bindi
The bindi/pottu/sindoor/tikli – whatever name it be known by – is probably the most emblematic of Indian elements of attire and also has a long history. It is symbolic (as a signifier of marital status or of caste), part of … Continue reading
Posted in 1860s, 18th century, 1930s, 1940s, 1950s, 1960s, 1980s, 19th century, 20th century, Accessories, Ancient India, Asia, bindi, Culture, Deccan, Early 20th Century, East Asia, fashion, Hinduism, historical fashions, India, Indian Bride, Indian Cinema, Indian fashion, Indian men, Indian Women, Late 19th century, miniature paintings, retro, Sanskrit Literature, Sets, Women
Tagged alankaram, bindi, caste marks, decorative bindis, face decoration, facial decoration, Indian actresses, Indian ritual, indian style, kumkum, painted bindis, pottu, sandal paste, sindoor, tilka, vintage style
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The Rangoli Post
Source for Rangoli terms-X. Pic Source – X. (~1890s, click for larger view). Making an Alpana, Santiniketan, 1954. Life Magazine, 7 February 1955. From what I know, the use of rice flour or paste is intentional and is meant as … Continue reading
Posted in 1890s, 1950s, 1980s, 1990s, Bengal, Culture, Decorative Arts, Early 20th Century, Hinduism, India, indian art, Indian Dress, Late 19th century, Photography, regional styles, Salwar Kameez, Sari, Sari Blouse, Vintage, vintage art, Vintage Dress, vintage photography, Women, women in art
Tagged akino fuku, alpana, B Prabha, decorative arts, floor design, india, kolam, rangoli, Santiniketan
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Lit Post – 3
Kamala was simply dressed in a pink silk sari, fastened on the right shoulder with the diamond coronet which Tara had lately given her. The thick soft tresses of her long jet-black hair were wreathed with white roses, and she … Continue reading
Posted in 1910s, 1940s, Authors, British Raj, Chinese, Colonial, Early 20th Century, fashion, History, India, Indian Authors, Indian Dress, Indian fashion, Indian Literature, Indian men, Literature, Men, Photography, Studio Portraits, Vintage Books, Vintage Dress, vintage fashion, Vintage Men
Tagged 1900s, 1900s sari, Chungking, Chungking Diaries, DF Karaka, Hindupore, I Go West, safa, sari, Savile Row, SM Mitra
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Indian Royals – 1
Unidentified man, Jaipur, possibly royalty. Painted portrait (gelatin silver print and watercolour) from the 1930s. The collared coat is possibly a sherwani – a garment that displaced the jama, angarkha kind of tunics of the Mughal and Rajput courts by … Continue reading
Posted in 1900s, 1920s, 1930s, 20th century, Colonial, Costume, Culture, Early 20th Century, historical costume, historical dress, historical fashions, History, India, Indian Dress, Indian fashion, Indian History, Indian men, Indian royalty, Islamic Dress, Islamic style, Painted Photographs, Photography, Royalty, vintage costume, Vintage Men
Tagged India royalty, Indian princes, Kashmir, Maharaja, Maharaja of Kashmir, Nawab, Nawab of Tonk, Painted Photographs, Rajput, safa, sehra, shawl, sherwani, Star of India, Tonk
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Sobha Singh’s Art
‘an accomplished but somewhat sugary style that reminds us of Edmund Dulac’, as Partha Mitter describes it (The Triumph of Modernism: India’s artists and the avant-garde 1922-1947, London 2007, p. 146)……approximate date for the pictures….between 1931 and 1941. X. Sobha … Continue reading
Posted in 1930s, Art, Costume, costumes in art, Early 20th Century, indian art, Indian fashion, Paintings, vintage art, vintage style, women in art
Tagged 1930s art, Indian Art, Sobha Singh, Wine drinking
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Costumes in NS Bendre’s Paintings
Part of a series on costumes as seen in Indian art. Weaving had a special significance for Bendre, who taught it together with painting and papier mache while in Baroda in the 1950’s. He painted several works over the years … Continue reading
Posted in 1980s, 20th century, Art, Bengal, Costume, Culture, Early 20th Century, Folk, indian art, Indian Dress, Indian men, mid century, North East India, regional styles, Vintage, vintage art, vintage costume, Weaving, Women, women in art
Tagged 1980s art, Arunachal Pradesh, costume in paintings, Kerala, kulu, NS Bendre, Rajasthan, regional costumes, salwar kameez, sari, weaver, women in art
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The Music Post
From a series of posts I did the week of 13 July 2015-17 July 2015. Saraswati painted by Hishida Shunsō [X, X] Flute Player (1) and Esraj Player (2), Nandalal Bose. Both were painted in 1937 and were commissioned by … Continue reading
Posted in 1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 20th century, Culture, Early 20th Century, Folk, Folk Dance, Goddess, Hinduism, India, Indian Music, Indian Singers, Indian Women, Japanese art, Music, Paintings, photodivision, Photography, regional styles, Sari, Sari Blouse, Sets, South India, Vintage Blouse, Vintage Music, vintage photography, vintage sari, Women
Tagged 1910s, 1930s, 1940s, 1950s, 1960s, Amirbai Karnatki, Chhaya Ganguli, esraj, Film music, flute, Geeta Dutt, Hishida Shunso, Indian music, Kamala Sista, Kesarbai Kerkar, M saraswathi, Nandala Bose, photodivision, Saraswati, Sharda, veena, vintage art, vntage photography
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The Colour of Skin
The red glow of her body, like an unfolding bud. Her black rimmed eyes like flowers, her skin like gold. Who can see your face in the moonlight, like milk in milk. Her lustrous complexion like a blue sapphire. Fair … Continue reading
Posted in 17th century, 18th century, 19th century, 20th century, Ancient India, Art, Colonial, Contemporary, Culture, Early 20th Century, fashion, Girls, historical art, historical fashions, in Colour, indian art, Indian fashion, Indian Women, miniature paintings, Paintings, Sets, Shringaar, vintage art, vintage fashion, vintage illustrations, vintage style
Tagged 1660s, 1860, 1880s, 18th century, 1930s, 1937, B Prabha, blue skin, colour, colourism, English school, fair and lovely, historical art, Indian Women, jaipur courtesan, malwa, Mandi, nandlal bose, red skin, sanskrit literature, skin, todi ragini, vintage art
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The Buddhism Post
I had done this set of posts starting on Buddha Purnima on tumblr but it’s taken me till now to collate it on WP. In some ways posts are more coherent on WP so despite the delay here it is. … Continue reading
Posted in 1880s, 1900s, 1940s, 1990s, Ancient India, Art, art recreation, Asia, Buddhism, Colonial, Costume, Culture, Early 20th Century, East Asia, historical art, historical costume, historical dress, History, Illustration, India, indian art, Indian Dress, Indian History, Indian men, Indian Women, Japan, Late 19th century, Paintings, Philosophy, Religion, Sanskrit Literature, Sari, Sri Lanka, Women
Tagged 1880s, 1940s, 1990s, 4 May, Ajanta, Ajanta art, Bellanwila, Bhikkuni, Bombay School of Art, Buddha, Buddha Purnima, Buddhism, Dhammadinna Bhikuni, Manindra Bhushan Gupta, Mara, Mara's daughters, Nihonga, Rahula, Sattasai, Soma, Somabandhu Vidyapati, Sujata, the departure of buddha, Women in Buddhism, Yashodhara, Yokoyama Taikan
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Vintage Indian Clothing 