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Taaza
Megh
19th century 20th century 1930s 1940s 1950s 1960s Actor Ancient India Art Cinema Colonial Costume Culture Early 20th Century fashion India Indian Cinema Indian Dress Indian fashion Indian men Indian Women Paintings Sari Sari Blouse Vintage Vintage Blouse Vintage Dress vintage fashion vintage sari WomenVishay
Lokpriya
Category Archives: Colonial
Lit Post – 1
After a few days, he began to visit the boy’s home in Palayamkottai and met his sisters who, dressed in the daring new style of pavadai, blouse and dhavani, strolled about book in hand. Extracts from Padmavati, A. Madhaviah, Trs … Continue reading
Posted in 1890s, 19th century, Christianity, Colonial, Costume, Culture, Dress Reform, Fashion Quote, Girls, Indian Dress, Indian Literature, Indian Women, Late 19th century, regional styles, sari history, Tamil, tamil Literature, Tamil Nadu, Vintage, Vintage Books, vintage costume, vintage fashion
Tagged A Madhaviah, dhavani, Half saree, Indian literature, Padmavathi, Tamil Christians, Tamil Literature
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Indian Royals – 1
Unidentified man, Jaipur, possibly royalty. Painted portrait (gelatin silver print and watercolour) from the 1930s. The collared coat is possibly a sherwani – a garment that displaced the jama, angarkha kind of tunics of the Mughal and Rajput courts by … Continue reading
Posted in 1900s, 1920s, 1930s, 20th century, Colonial, Costume, Culture, Early 20th Century, historical costume, historical dress, historical fashions, History, India, Indian Dress, Indian fashion, Indian History, Indian men, Indian royalty, Islamic Dress, Islamic style, Painted Photographs, Photography, Royalty, vintage costume, Vintage Men
Tagged India royalty, Indian princes, Kashmir, Maharaja, Maharaja of Kashmir, Nawab, Nawab of Tonk, Painted Photographs, Rajput, safa, sehra, shawl, sherwani, Star of India, Tonk
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The Colour of Skin
The red glow of her body, like an unfolding bud. Her black rimmed eyes like flowers, her skin like gold. Who can see your face in the moonlight, like milk in milk. Her lustrous complexion like a blue sapphire. Fair … Continue reading
Posted in 17th century, 18th century, 19th century, 20th century, Ancient India, Art, Colonial, Contemporary, Culture, Early 20th Century, fashion, Girls, historical art, historical fashions, in Colour, indian art, Indian fashion, Indian Women, miniature paintings, Paintings, Sets, Shringaar, vintage art, vintage fashion, vintage illustrations, vintage style
Tagged 1660s, 1860, 1880s, 18th century, 1930s, 1937, B Prabha, blue skin, colour, colourism, English school, fair and lovely, historical art, Indian Women, jaipur courtesan, malwa, Mandi, nandlal bose, red skin, sanskrit literature, skin, todi ragini, vintage art
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All About Hair
I had a bit of a meandering look at the history of hairstyles in India on tumblr and as always this post collates it on wordpress. curnakuntala (Sanskrit): locks or ringlets hair style. alaka-avali (Sanskrit): hair arrangement in spiral locks … Continue reading
Posted in 1600s, 16th Century, 1700s, 17th century, 1800s, 18th century, 1930s, 1940s, 1950s, 1960s, 19th century, 20th century, Accessories, Ancient India, Art, Asia, Bengal, Bollywood, Colonial, Contemporary Style, Culture, Dance, Dancer, fashion, Flowers, Hair, historical fashions, historical hairstyles, History, indian art, Indian fashion, Indian History, Indian men, Indian Women, Jewellery, Medieval India, miniature paintings, Old Bollywood, Paintings, regional styles, retro, retro hair, Sanskrit Literature, Sculpture, Sets, Tamil, Tumblr, Vintage, vintage hair, vintage jewellery
Tagged Bollywood hairstyles, combing hair, curly hair, early 20th century, flowers in the hair, hair, hair accessories, hair jewellery, hair oil, indian hair, Indian hairstyles, indian sculpture, indian style, Indo Greek, loose hair, medieval India, Miniature Paintings, parted hair, plait, retro hairstyles, vintage hairstyles, wavy hair, wet hair
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The Buddhism Post
I had done this set of posts starting on Buddha Purnima on tumblr but it’s taken me till now to collate it on WP. In some ways posts are more coherent on WP so despite the delay here it is. … Continue reading
Posted in 1880s, 1900s, 1940s, 1990s, Ancient India, Art, art recreation, Asia, Buddhism, Colonial, Costume, Culture, Early 20th Century, East Asia, historical art, historical costume, historical dress, History, Illustration, India, indian art, Indian Dress, Indian History, Indian men, Indian Women, Japan, Late 19th century, Paintings, Philosophy, Religion, Sanskrit Literature, Sari, Sri Lanka, Women
Tagged 1880s, 1940s, 1990s, 4 May, Ajanta, Ajanta art, Bellanwila, Bhikkuni, Bombay School of Art, Buddha, Buddha Purnima, Buddhism, Dhammadinna Bhikuni, Manindra Bhushan Gupta, Mara, Mara's daughters, Nihonga, Rahula, Sattasai, Soma, Somabandhu Vidyapati, Sujata, the departure of buddha, Women in Buddhism, Yashodhara, Yokoyama Taikan
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The Islamic Dress Post
When you think of Muslim influenced fashion in India you think of anarkalis, gauzy dupattas, tight churidars, a North Indian style that has a tremendous grip on the popular imagination not least because of Hindi movies. While the Mughals with … Continue reading
Posted in 1900s, 1920s, 1940s, 19th century, 20th century, Accessories, Art, churidar kameez, Colonial, Costume, Culture, Deccan, Dress Reform, dupatta, Early 20th Century, Family, fashion, Girls, India, indian art, Indian Dress, Indian fashion, Indian Women, Islamic Dress, Islamic style, Literature, Mughal, Paintings, Photography, Postcards, regional styles, Religion, retro, retro fashion, Salwar Kameez, Sari, Sari Blouse, South India, Vintage, vintage art, vintage costume, Vintage Dress, vintage fashion, vintage photography, vintage sari, Women
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The Food Post
The iconography of Annapurna is given in the Agamas as a youthful goddess of red complexion having a face round like moon, three eyes, high breasts; the left hand carrying a vessel set with rubies and containing honey, and the … Continue reading
Posted in 16th Century, 17th century, 18th century, 1910s, 1940s, 1950s, 1960s, 19th century, Ancient India, British Raj, Colonial, historical art, historical costume, indian art, Indian Cooking, Indian Literature, Indian men, Indian Women, Medieval India, Mughal India, Paintings, Sanskrit Literature
Tagged 15th century, 17th century, 19th century, 7th century, ancient india, Annapoorna, bawarchi, British India, Chokher Bali, Dandin, Dasakumaracharitra, early 20th century, Food History, historical dress, Indian Art, Indian cookbooks, Indian Cookery, Indian cuisine, Indian Food, khansama, Malathi Chander, Mandu, medieval India, Mughal India, Mukul Dey, Ni'matnama, NS Harsha, picnic, Radha, Rahul Das, Rasachandrika, Savitri Chowdhury, Sushil Sen, vaishnava food, Veeraswamy, Vividh Vani, yogini
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The Bindi Post
The tikli or spangle is worn in the Hindustāni Districts and not in the south. It consists of a small piece of lac over which is smeared vermilion, while above it a piece of mica or thin glass is fixed … Continue reading
Posted in 1910s, Accessories, bindi, Central India, Colonial, Culture, Early 20th Century, fashion, Hinduism, historical fashions, Indian fashion, Indian Women, Literature, regional styles, Rural, Vintage, vintage fashion, vintage style, Women
Tagged 1910s, 1916, bindi, Central India, lakheras, making bindis, stick on bindis, tikli, tribes and castes of the central provinces of india
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The 1930s Post
She wore an exquisite pink sari and the delicate gold thread embroidery on it added to the charm of both. The vermilion mark and the tiny decorative dots of colour on her forehead and the collyrium-touched eyes added much grace … Continue reading
Posted in 1930s, Accessories, Actor, Bollywood, Colonial, Early 20th Century, fashion, Hair, Indian Cinema, Indian Dress, Indian fashion, Indian Women, Old Bollywood, Postcards, retro, retro fashion, Sari, Sari Blouse, sari drape, sari history, Vintage, Vintage Blouse, Vintage Dress, vintage fashion, vintage hair, vintage jewellery, vintage sari
Tagged 1930s, bindi, finger waved hair, gold border, gold jewellery, green blouse, Indian Actress, Nalini Tarkhad, pink sari, postcard, sari
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