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Taaza
Megh
19th century 20th century 1930s 1940s 1950s 1960s Actor Ancient India Art Cinema Colonial Costume Culture Early 20th Century fashion India Indian Cinema Indian Dress Indian fashion Indian men Indian Women Paintings Sari Sari Blouse Vintage Vintage Blouse Vintage Dress vintage fashion vintage sari WomenVishay
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Category Archives: Cinema
The 80s cinema post
Trikon ka Chautha Kon aka The Fourth Angle of a Triangle (1986) is kind of quasi arthouse 80s cinema and more than a little regressive when it comes to it’s women protagonists who dominate much of the film. The film … Continue reading
Posted in 1980s, 20th century, Actor, bindi, Bollywood, Children, churidar kameez, churidar kurta, Cinema, Costumes in Cinema, dupatta, fashion, Feminism, film costumes, Film Costuming, Hair, Hairstyles, Indian Aesthetics, Indian Cinema, Indian Costume, Indian Dress, Indian fashion, Indian men, Indian Textiles, Indian Women, late 20th century, Movies, retro cinema, retro fashion, Salwar Kameez, Sari, Sari Blouse, sari history, Vintage Blouse, vintage cinema, vintage fashion, vintage sari
Tagged 1980s, 1980s cinema, 1980s style, Bollywood, Hindi cinema, indian cinema, priyardarshinee, swaroop sampat, trikon ka chautha kon, vijayendra ghatge, vintage cinema, vintage style
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The costumes of Bazaar (1982)
80s arthouse aesthetic in Bazaar (1982). The movie deals with the poorer Muslim communities of Hyderabad and the financial compulsions that lay behind many an unequal and unwanted marriage contract. Some parts of the costuming reflect the milieu. With Shabnam … Continue reading
Posted in 1980s, 20th century, Actor, churidar kameez, churidar kurta, Cinema, Costumes in Cinema, film costumes, Film Costuming, Flowers, Hair, Hairstyles, Indian Aesthetics, Indian Cinema, Indian Costume, Indian Women, Islamic style, late 20th century, retro cinema, retro fashion, retro hair, Salwar Kameez, South India, Vintage, vintage cinema, vintage costume, vintage style
Tagged alternative cinema, arthouse, bazaar, farooque shaikh, Hindi cinema, indian cinema, neesha singh, rita rani kaul, sagar sarhadi, Smita Patil, Supriya Pathak
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RIP Jayalalithaa
Jayalalithaa – 24 February 1948 – 5 December 2016
Posted in 1960s, 1970s, 1980s, 1990s, 2000s, 20th century, Actor, Cinema, fashion, Feminism, Indian Cinema, Indian fashion, Indian Women, late 20th century, Politicians, Politics, retro cinema, retro fashion, Sari, Sari Blouse, South India, South Indian Cinema, Tamil Cinema, Tamil Nadu, vintage fashion, Women, Women Rulers
Tagged chief minister, jayalalithaa, Tamil Nadu, tamil nadu politics, women chief ministers, women politicians
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Dream Girls and Boys
The iconic Tamil writer Kalki once described her as ‘Kollum Vizhiyaal’ — one who could kill with her eyes! [X] Thyagaraja also had a very good stage presence sporting long hair and earrings. [X] Around the time that video cassettes … Continue reading
Posted in 1930s, 1940s, Cinema, Early 20th Century, Family, film costumes, Indian Aesthetics, Indian Cinema, Indian men, Indian Women, Tamil Cinema, vintage cinema, Vintage Men, vintage style, Women
Tagged 1930s stars, 1940s stars, dream girl, men wearing earrings, mk thyagaraja bagvathar, mkt, singing stars, Tamil Cinema, tr rajakumari
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Bombay Stars
We returned from abroad via Bombay. I admit to the ostentatious glamour of the film world there and the intoxication and heady glamour that accompanies it. I also admit to the dearth of deeper imagination or an ascetic dedication to … Continue reading
Posted in 1930s, 1950s, Bengal, Bengali cinema, Bollywood, Cinema, Early 20th Century, fashion, India, Indian Cinema, Indian Singers, Indian Women, Regional cinema, retro cinema, vintage cinema, vintage sari, Women
Tagged 1930s stars, appearance, autobiography, beauty, Bengali cinema, fitness culture, Hindi cinema, Kanan Devi, zubeida
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The costumes of Dadar Kirti (1980)
Dadar Kirti (1980) is based on a Sharadindu Bandyopadhyay story and is a highly fun, easy watch with a charming ensemble cast doing it justice. While it is not subtitled, a rudimentary knowledge of Bengali is enough to enjoy the movie. The movie … Continue reading
Posted in 1980s, 20th century, Accessories, Actor, Bengal, Bengali cinema, bindi, Cinema, Costume, Costumes in Cinema, Dancer, Early 20th Century, film costumes, Film Costuming, Girls, Indian Cinema, Indian Costume, Indian Dress, Indian fashion, Indian Textiles, Indian Women, Manipur, Movies, Period Drama, Regional cinema, Regional period drama, regional styles, Sari, Sari Blouse, shawls, Vintage
Tagged 1980s cinema, Ayan Bannerjee, Bengal Sari, Bengali cinema, Bihari sari, Dadar Kirti, Debashree Roy, film costumes, indian cinema, Mahua Roychowdhury, Period Drama, regional styles, Sandhya Roy, sari, sari blouse, Sulata Chowdhury, Tapas Paul
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The costumes of Devdas (1936)
Devdas may well be summarised by these three screen captures:) Saratchandra was 17 when he wrote Devdas, it is likely the author himself thought the novel an immature work in later age. Despite it being a “youth novel” and despite the … Continue reading
Posted in 1910s, 1930s, 20th century, Accessories, Actor, Bengal, Bengali cinema, Cinema, Colonial, Costume, costume design, Courtesan, Culture, Dancer, Early 20th Century, fashion, film costumes, Film Costuming, Hairstyles, Indian Cinema, Indian Costume, Indian fashion, Indian men, Indian Women, regional styles, Romance, Sari, Sari Blouse, sari history, Vintage, vintage costume
Tagged 1930s, 1930s fashion, 1930s styles, 1936, Bengali cinema, costume design, devdas, indian cinema, Jamuna, KL Saigal, Rajkumari, sari, vintage sari
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The Regional Cinema Post
For very many reasons Bollywood is Indian cinema. Now and then regional cinema makes a splash – especially at the National Awards – but for the most part the audiences are local. You could however argue that all the interesting … Continue reading
Posted in 21st century, Accessories, Actor, Cinema, Contemporary, contemporary fashion, Contemporary Style, Culture, fashion, Film Costuming, Flowers, Indian Cinema, Indian Dress, Indian fashion, Indian Women, Jewellery, Manipur, Marathi cinema, North East, North East India, Period Drama, Punjab, regional styles, Sari, Sari Blouse, Sets, South Indian Cinema, Tamil Cinema, Women
Tagged Aribam Syam Sharma, flower jewellery, indian cinema, innaphi, Kumki, Lakshmi Menon, Leipaklei, Manipuri cinema, Marathi cinema, postcard, puff sleeve blouse, Punjab 1984, Punjabi cinema, Radhika Apte, salwar kameez, sari, Sonam Bajwa, Tamil Cinema, Tonthoi
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Bits n Bobs
Gharara/Sharara…still confused by the many definitions. Raghu adds a few more explanations to 1950s hairstyles. Bengal’s laterite soil makes for Japanese dye. Please admire Waheeda – X and X.
Posted in 17th century, 1950s, 1960s, 19th century, 20th century, 21st century, Asia, Bengal, Bollywood, Cinema, Costume, Culture, East Asia, Edo, fashion, Hair, Indian Cinema, Indian Dress, Indian fashion, Indian Textiles, Indian Women, Japanese, natural dye, Old Bollywood, retro, retro fashion, Tumblr, Vintage, vintage costume, Vintage Dress, vintage fashion, vintage hair, vintage style, Women
Tagged 17th century, 1950s, gharara, hair, hairstyle, Indian hairstyles, japanese dyes, plaits, sharara, Waheeda Rehman
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Vintage Indian Clothing 